<?xml version="1.0" encoding="utf-8"?><article><front><Journal-meta><journal-id journal-id-type='publisher'>CWE/762/2017</journal-id><journal-title >Current World Environment</journal-title><issn pub-type='PPub'>0973-4929</issn><issn pub-type='ePub'>2320-8031</issn><publisher><publisher-name>Enviro Research Publishers</publisher-name></publisher></Journal-meta><article-meta><article-id pub-id-type='other'>CWE--48-00</article-id><title-group><article-title>The Impact of the Physical Elements of Persian Garden on the Persian Painting: A Selection of Tabriz&amp;rsquo;s Second School Paintings as the Case Study</article-title></title-group><contrib-group><contrib contrib-type='author'><name><surname></surname><given-names></given-names></name><xref ref-type='aff' rid='aff00'><sup></sup></xref></contrib><contrib contrib-type='author'><name><surname></surname><given-names></given-names></name><xref ref-type='aff' rid='aff00'><sup></sup></xref></contrib></contrib-group><aff id='aff001'><sup>1</sup><instname></instname>,<deptname>Department of Architecture, Zanjan Branch</deptname>, <instaddress>Islamic Azad University</instaddress>, <instcity>Zanjan</instcity>, <instcountry>Iran</instcountry>.</aff><pub-date pub-type='ppub'><publicationDate>2015-04-30</publicationDate></pub-date><doi>10.12944/CWE.10.Special-Issue1.117</doi><volume>Volume 10</volume><issue>Volume 10</issue><page>979-989</page><abstract><title>Abstract</title><p>&lt;p&gt;In Persian painting, as an abstract art, the use of garden has been as the way architects have used in designing the garden. However, the painter breaks different parts of the garden, so the viewer may move on the image. In this regard, this study aimed to evaluate the impact of Persian garden&amp;rsquo;s natural and man-made physical elements on painting art. For this purpose, a selection of Tabriz&amp;rsquo;s second school paintings, especially the paintings of &amp;ldquo;Khamseh Tahmasbi&amp;rdquo; and &amp;ldquo;Shahnameh Tahmasbi&amp;rdquo;, were analyzed accurately. This is an analytical-descriptive study; the library studies were used for collecting the data. The results showed that as far as form is concerned, these paintings picture all the natural and artificial physical elements of Persian Garden exactly like its architectural expression.&lt;/p&gt;
</p></abstract><kwd-group><title>Keywords</title><kwd>Persian painting, Persian garden</kwd><kwd> Tabrizâ€™s second school paintings</kwd><kwd> Shahnameh Tahmasbi</kwd><kwd> Khamseh Tahmasbi</kwd></kwd-group><counts><ref-count count='' /><page-count count='' /></counts></article-meta></front></article>